Uber-Style ‘Surge’ Pricing Could Be Coming To A Theatre Near You

By Sammy Caiola : capradio – excerpt (includes audio track)

And you have Uber to thank for that, or whoever first came up iwth the idea of surge pricing.

Would you see a movie midweek instead of on a Friday night if it meant saving a few bucks on a ticket? Regal Entertainment Group wants to find out.

The company owns Regal Cinemas, United Artist Theatres and Edwards Theatres. There are nine Regal theatres in the greater Sacramento area.

Under a new pricing strategy announced this week, ticket costs would vary by showtime. At peak times, shows would cost more. At slow times, they’d cost less.

It’s a model already used by ride-hailing companies Uber and Lyft, and by sports teams… (more)

Will theater goers who are already disenchanted with the notion of dealing with traffic, parking and waiting in lines, put up with a confusing price structure for tickets as well? Surges usually go up not down. This seems like a good way to kill the local theater market that is already under stress from high prices and competition from online offers.

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English Man Catches Fish And Holds Up To His Mouth . . . Fish Jumps Down Throat And Forces Man Into Cardiac Arrest

A twenty-eight-year British man experienced cardiac arrest this week after he accidentally swallowed a 6-inch long Dover sole that he caught on a fishing trip in Boscombe, England.   The man was dangling the fish over his mouth as a joke when it broke free and went right down his throat.  Fortunately, paramedics arrived within minutes and saved his life by removing the fish with forceps… (more)

When your food attacks. This reminds me of the lobster dinner the 1988 movie, Beetlejuice. Great special effects, costumes and makeup.

Closures, overcrowding, rats: New York City commuters face ‘summer of hell’

By Tom McCarthy : theguardian – excerpt

Being trapped is a common thread in fictional future forecasts. Our urban planners’  future perfect plans for tiny crowded units with public transport ride-shares feel a lot like the futuristic city depicted in the 1985 Terry Gilliam movie, “Brazil”. where there is no easy way out.

The city’s aging subway has been declared ‘a state of emergency’. Combined with closures on other rail lines, riders are bracing for the worst

There was a time – somewhere between the 1990s exorcism of violent crime from much of New York City and Thursday, when a “state of emergency” was declared for the city’s transit system – when a nightmare scenario on the subway meant a rat crawling up your leg, over your chest and nearly into your hoody.

That remains a vividly awful prospect. But in the summer of 2017, rats are competing with a ballooning number of alternative potential torments for commuters (the term is used optimistically) who venture into the city’s aging underground.

Dangerously overcrowded platforms. Chronically delayed trains. Terrifying and injurious derailments. Tunnel strandings. Signal malfunctions. Fisticuffs. Electrical outages. Garbled announcements. Knockout stenches. Non-rat wildlife. Stairs, shoulders, backups, backpacks, bad attitudes and bad breath.

A particularly unlucky group of rush hour F-train riders last month were stuck inside overheating train cars for so long that video of their desperate fingers prying open fogged-up doors looked not so much like the scene from a commute as footage from a zombie movie… (more)

Pipeline Fighters

By Marino Colmano : grandintheatre – excerpt

This is a FREE event sponsored by Preserve Giles County, Preserve Roanoke County and Preserve Franklin County.  There will be a Q & A session afterwards with the sponsors and the filmmaker.

Pipeline Fighters voice their opposition to interstate pipelines in the Virginias for the transport of fracked gas to export terminals, and abroad. Natural gas procured through unconventional hydraulic fracturing, has been the gold rush of the last decade. Pipelines are needed to move this massive glut of natural gas. Through the voices of the Appalachian people we explore in microcosm the global issue of environmental predation, the legacy of the energy industry, their current production goals to DOUBLE the development of natural FRACKED gas coming out of the Appalachian Basin, and the great relevance this has on the geo political scene and climate change…(more)

Director/Director: Marino Colmano
All the media coverage on pipeline opposition has been concentrated on the Standing Rock lately. This is a reminder that many other states have citizens who oppose the proliferation of pipelines near their sources of drinking water as well. Many rivers and tributaries downstream from coal ash disposal sites have been contaminated by spills and some communities have been covered in ash:
A Brief History of U.S. Coal Ash Since the Kingston Spill

Malcolm Johnson

Malcolm1

Malcolm at Beaux Arts III in St. Petersburg Florida 2007

FRIENDS OF CAMS AND BEAUX ARTS, hell: ALL the arts in
Pinellas County! Our friend Malcolm Johnson, he of the omnipresent camera
and notebook, is pretty ill. He’s at Apollo Rehabilitation Center, 1000 –
24th Street N. in St. Pete. Since nobody knew about this when he got sick
and was taken by ambulance to the hospital, friends spent almost three weeks
trying to find him. Which means he’s been all but abandoned without friends
knowing and stopping by to encourage him. Can you make time for this act of
kindness and appreciation for all Malcolm’s done in our community? Hope to
run into you at Apollo Rehab!”

DSC01047 MRJtoon

The Declaration of Dependence and a drawing of Malcolm Llyn found in her files.

We have some footage by Eric Bechus titled “Beaux Arts Restoration and Resurrection Film” posted on Youtube that features Tom Reese, Eric Bechus and Malcolm Johnson. In fact there is a Beaux Arts Channel.

RIP Eric Beckus

RIP Eric Beckus

Perfectwoman

Eric was one of  Tom’s first students at the Beaux Arts school in Pinellas County. He lived the life of an artist, creating wonderful paintings, sculptures, poetry, and music. When I met Eric, he invited me to visit his home, which was filled with his simple life and diet of art. In addition to expressing his own world of fantastic visions, Eric was adapt at repairing the work of other fine artists. He was a museum quality restoration specialist. Museums and galleries entrusted their finest pieces to Eric.

When I last saw Eric he was working on writing a children’s book. He allowed me to shoot some of the illustrations and shared some drafts with me that I will look for. Eric had a great sense of humor. We will try to get more of his work posted, as well as some of his music soon. Meanwhile fest on this. Don’t miss the YouTube footage: http://www.beauxartsbook.com/art/Eric.html

BrightFruit

 

Eric’s Beaux Arts Story, 11/7/06

I first visited the Beaux Arts gallery around 1953. I was a student at St. Petersburg Junior college and I wanted to find a gallery to attempt to exhibit my drawings and watercolors. The galleries in the city were beyond my capabilities as an artist. But the Beaux Arts was and continued to be, a place anyone could be seen at least.

The gallery was an old hotel. It had porches around its perimeter and Pinellas Park was small and quiet. The door was open like a church and I went in. I called out and Tom Reese came from a back room. He came thru a curtain and stood before me in a pose. His shirt was off and he had a chest covered in black hair and his head too was jet black and wavy. He was handsome and muscular with no belly or flab. I knew I wasn’t in a traditional gallery.

Tom sat with me and looked over my small collection of work. He was not caustic in those days although his prize insights were blunt, it was usually the fact. Some art is bad. As if the person set out to make it so.

Each meeting seemed to convince him I could have a show of my poems and pen line watercolors. Finally I did have the show on the side room which was a small gallery for art that could not compose a whole show in the main gallery.

Tom had two watercolors printed in color in the St. Petersburg Times. They were the first color plates used back then. and he had given that all to me. In a sense he saved my life because without his encouragement I would truly be a different person today. He was a saint in the true sense that is a man or woman that subjects themselves to a belief system and is always trying to live up to the rules. The rules of art as well as religion are the same except in regard to the human body. Beaux Arts was freedom to be true to yourself. Tom was the one that first showed me the variety of people I could at last fit in with. this family of artists.

As a man Tom was the man that sells the tickets in a carnival. The ‘Beaux Arts was that to me. As I went in the door, those carnival images painted on trailers were now in a gallery, dignified, not comic book paintings. It was a rarified world with people like carnival people, odd balls with a tent to live under together.

Tom was attracted to fame at an early age. He went to see the famous pianist Paderewsi who was a Polish hero visiting St. Petersburg. He got up early and went to the train station to wait. He got to say hello, and shake hands, and perhaps that handshake, to an 8-year-old boy passed fame, because he never stopped his craving for fame or the talk of famous people. The desire to have the whole world know your name was his burden as well as his reason to be able to see others with the same eye to try to help another get what he knew he could never get.

He was famous but the never felt it was enough. I’m so glad he never achieved the fame he longed for. I wouldn’t have gotten to know him.

– Eric Beckus

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